Bricks & Botanical Bliss: The Unofficial Guide to LEGO at Fort Worth Botanic Garden (plus free Scavenger Hunt!)

In seeking to utilize my membership at the Fort Worth Botanic Garden, a Christmas gift from my sister (thanks Deda!), I discovered this week that there would be a - gasp! - Lego exhibit there all summer, called Sean Kenney’s Nature POP! Made with LEGO® Bricks. Combining things I enjoy - in this case, walking in nature, and Lego art - always seems to be an exponentially exciting endeavor to me. So even though I had  already made plans to go see it with a friend next month, I couldn't wait to go myself, on my first day off. 

While I am often very much a planner in almost all aspects of life, I enjoy both the challenge of spontaneity and the relief of not having to plan certain parts of my life. So I awoke without an alarm and got ready to go to the gardens. I noted that there was a QR code which would likely have more information and a map and the like, but ignored the impulse to check it out. Instead, once I showed my membership ID, I put my headphones in and headed out aimlessly, with the intent to discover as many of the exhibits as I could without the aide of a map.

The first few exhibits were right through the doors. Actually, there were two exhibits just outside the entrance before you even pay admission, as well as a few murals in the Pollinator Pathway near the parking lot, which I discovered at the end of my journey. But besides those, once you're past the admission desk and through the doors, there are several bunnies, a couple gardeners and a dog. I took some photos and ventured on. 

I spotted a red blur in flight, and when it stopped in the tree, I stopped to snap a few photos of the cute little bird. The lighting was poor but I was able to enhance it on my phone. I moved on and continued to discover additional statues and murals built of Lego. 

One thing I really loved and appreciated was that the signs had a little blurb about the art and a little blurb about the science. This makes it a memorable and fun learning experience, I suspect, for kids and adults alike even. 

I made my way to the Rose Garden and found a dazzling sculpture there of a rose, fitting. As I carved my way through the curvy paths, I was reminded of my labyrinth experience and reflected on the ever so slight distracting annoyance of having to make decisions about which way to go every few feet. What I loved about the labyrinth was that it made all the decisions for you, you had but to choose to walk it, and the path took care of the rest. That's what promoted the meditative experience I had while walking the labyrinth, albeit too short of lengths for my preference. A trade off, I presume, between the length stretches I could walk here in the Rose Garden versus a labyrinth. If only we could combine the two - having a single path over a larger scale. That's Ikea, I suppose. 

Not knowing where I would find the next exhibit, I ventured into the Japanese Garden and walked a majority of its length, finding no Lego exhibits there. I would later confirm with the map that the Japanese Garden was, indeed, left alone, without a single Lego piece, and just the tranquil peace. 

Outside of the Japanese Garden, I spotted a *POP* of color which I took to be my next lead. I found more sculptures and enjoyed reading the plaques in front of each. 

After more than 2 miles of walking, I decided to start making my way back to the car, when I spotted a red tailed hawk wrangling a recent kill. It spotted me before I saw it, and raised its wing to protect its hunting trophy from me. I think this is one of the funniest behaviors of the animal kingdom. I was reminded of the time a turkey vulture danced around its catch with both wings extended while I walked widely around it to retrieve my car from the street shortly after I moved into my house in Texas. If only the birds of prey knew I have a much better meal awaiting me at home, and that their breakfast was not tempting to me in the least! After photographing it from the distance at which I stopped, it eventually was startled away by unaware kids coming up the path the other way. I tried to follow it to see where it would land in the tree, but it was too fast for me to track it. 

After a quick stop at the restroom and gift shop, I headed out to my car, clocking more pops of color in the Pollinator Pathway, as previously mentioned. So I wandered down that path which I usually skip, and found a few more murals that were totally worth seeing. 

Finally, at my car, I pulled up the website from the QR code and checked the map. Verifying the list against my memory, I was happy to see I had found all but one of the exhibits on my own. I chuckled at myself thinking that I was too close to stop now; like Pokemon, I gotta catch 'em all! The last one was not in the gardens proper; it was by the research institute, to which I know of no (other) reason to go. So I drove over to the entrance and popped out of my car for a quick photo. So lesson learned: if you're missing one (the zebra mural), do not remorse, it is easily accessible by car on your way out of the parking area. 

After returning home, I did some organizing of my photos and did some searches online to get more information and data for this post. Interestingly (or annoyingly), some of the articles about the exhibit coming to Fort Worth either reference or feature a panther, which was neither on the map nor in my photos or memory. I was incredibly frustrated to learn that I had missed one, and puzzled why it wasn't on the map. After considerable deliberation, I figured out that the "panther" referenced is actually the snow leopard, so I wasn't missing one after all. 

About Nature POP!

The exhibit runs from May 22 to September 17, so you have plenty of time to *POP* out to the gardens to see it! This marks artist Sean Kenney's second major showcase at the venue, arriving five years after his "Nature Connects" exhibition occupied the grounds. 

By the Numbers 

There are 18 three dimensional sculptures and 6 large, flat murals. The murals are all the same size and according to the signs, are all composed of the same number of pieces -  18,432 each! This may seem expected at first, but actually, the pieces used on the murals are all different shapes and sizes, so one realistically could expect there would be variation in the brick count. I used my favorite AI chatbot to validate the underlying assumptions in those counts, and provide its own estimates based on my photos. The count was estimated to be much lower. 

The sign for the rabbits indicated they were 1,496 pieces, but it was unclear if that was per bunny or for the collection. With 21 bunnies, if the figure was for all of them, that would be an average of 71 pieces per bunny - seems low. If its per bunny, then all the rabbits would be 31,416 pieces all together, so I think it's that. 

I didn't catch the number of pieces for three of the statues (at least one of which did not have a sign from what I could find), and used google search and AI to try to ascertain those estimates, but did not trust the numbers, so I used my own estimates for those three. 

Update June 26, 2026: I went back to the gardens and revisited the statues I had been missing piece counts for, so now I have a complete count (at least, according to the signs). 

Based on the pieces stated, and my assumption about the rabbits, I calculated 869,074 Lego pieces, which confirms the claim that there are over 800,000 pieces used in the total exhibit. At an average retail price of $0.13, that would be nearly $113k worth of Lego! Although, the artist likely got a wholesale price closer to 6 cents per brick, or about $52k. 

Even if the number of pieces is overestimated for the murals, using the high end of the AI-generated estimates, the entire collection was estimated at 811,982 pieces, still well above the claimed 800,000 pieces. 

The Next Stops: Cities Scheduled After Fort Worth

This is the 14th stop on the tour. After September 17th, once the installations are carefully disassembled, packed into customized, foam-lined logistics crates, and loaded onto freight trucks at the end of the summer, they are booked to head to the following locations:

    Omaha, NE (Scheduled to open January 16, 2027)
    Winchester, VA (Scheduled to open May 27, 2028)

Custom Resources

If you want to have a little fun, you can turn the exploration of the Lego sculptures and mosaics into a game, and a challenging learning experience. To help you and your family gamify your visit, I created a printable Scavenger Hunt and a Trivia Quiz, designed to test your eye for detail.

Sign up with your email below to join my writing journey, and I'll instantly send a copy straight to your inbox:

 

To provide you with the most efficient route to visit all of the Nature Pop! displays, I have charted a course on the map that minimizes backtracking. We have created a blue path that visits the sculptures in a clear, continuous sequence. You can see the visual path overlaid on the map, and here is the breakdown:

 
Efficient Nature Pop! Walking Route:

Start at the BRIT to see the Zebra Mural, or the Pollinator Pathway near the park lot. 
#3 Ladybug Mural - Pollinator Pathway
#2 Butterfly Mural - Pollinator Pathway
#6 Horses Mural
#1 Galapagos Tortoise - You'll likely see this as you drive in. Watch for cars if you approach on foot to take a picture. 

#5 Eagle - You'll see this on your left as you walk into the Garden Center.
#8 Gardeners - Veer left as you enter the garden, and appropriately, visit the statue of the gardeners! 
#9 Rabbits - Count them and see how many you can find!
#10 Dog

#11 Leopard
#12 Pangolin
#13 Polar Bear & Cub

#7 Tree Frog Mural - I think this is in the wrong spot on the map, as I spotted it after the Polar Bear and before the Woodpecker. 

#14 Woodpecker
#15 Doe & Fawn
#16 Buck
#17 Fox
#18 Lawn Mower

Hang a right after the Lawn Mower
#23 Spider Mural
#22 Zebra
#21 Lion
#20 Dodo Bird

Enter the Rose Garden
#19 Rose - North West part of the Rose Garden
#24 Dragonfly - Exit the Rose Garden on the South East side and head towards the pond. It's a bit out of the way, but worthwhile as it is one of my favorites! 

#4 Zebra Mural - Near BRIT (Botanical Research Institute of Texas). Recommend driving here at the beginning or end of your day. 

This route allows you to see every sculpture in one continuous walk through the Fort Worth Botanic Garden.

And here is my table of the piece count.

Sculptures	Claimed Piece Count	Notes
1. Galapagos Tortoise	21,976
5. Eagle	22,200
8. Gardeners	46,823
9. Rabbits	31,416	*Assumes 21 rabbits at 1,496 each as the signs imply
10. Dog	39,800
11. Snow Leopard	51,377
12. Pangolin	28,650
13. Polar Bear with Cubs	112,450
14. Woodpecker	32,650
15. Fawn & Doe	43,150
16. Buck	38,350
17. Fox	18,100
18. Lawn Mower	35,250
19. Rose	20,000
20. Dodo Bird	29,750
21. Lion	45,150
22. Zebra	73,500
24. Dragonfly	67,890
Subtotal in Sculptures:	758,482

Murals	Claimed Piece Count	AI Estimate
2. Butterfly	18,432	5,500
3. Lady Bug	18,432	4,500
4. Zebra	18,432	6,500
6. Horses	18,432	15,500
7. Tree Frog	18,432	8,500
23. Spider	18,432	13,000
Subtotal in Murals:	110,592	53,500

Total Pieces:

869,074

811,982

How To: Custom Curtains

One of the aspects of the "Long Tail" which the Internet and companies like ebay, Etsy and now Spoonflower ushered in is that there is almost no limit to the ability to find (or make) exactly what you want. In other words, if you can dream it, you can find it (or make it with relative ease). Taking advantage of this, I'm going to talk to you today about designing and buying or making custom curtains. Curtains are, I think, an underrated opportunity in a room to bring a real splash of color, personality, and theming to a space.

In a recent blog, I shared with you how to design and paint a giant Lego mural, a project I undertook as part of my own home project to transform my unused dining room into a Lego gallery! The next phase in my project was to make curtains. While I kept the mural fairly neutral, using only shades of gray, so that the Lego projects themselves would pop, I don't intend to have anything in front of the window so the curtains could afford to be a bit more bold. I'm leaning towards a gray with yellow accents color scheme here, so naturally, I put that pop of yellow in my curtains.

For reference, here's an inspiration picture I am using. While I'm not going to mimic anything specific in it, I like the modern, adult look of the color scheme. My worry is that Lego lends itself to a childish look with the primary colors - yellow, blue and red, being predominant brick colors in most Lego-themed rooms (and indeed at Legoland and Lego stores, etc). I don't have kids - by choice - and therefore I want my Lego gallery to have a little bit of class and maturity about it.

Alright, back to the curtains. I actually got the idea of the fabric design while designing my mural wall. As with all my designs, I had started with sketches (in PowerPoint, my design hack tool of choice) to play with the look and feel of various ideas. So the "winning" design for my mural easily translated to a design I could upload into my Spoonflower shop and buy.

Pick a Design, Have it Made

For the less handy/DIY people out there, this could be where the blog stops. Spoonflower has an array of home goods that can be custom made with any of the 1000s of designs on the site. It is a bit more expensive, than, say, curtains you might find at Ikea or Target, but you get to have the EXACT design and dimensions you want. You can simply browse the Spoonflower fabric designs, and when you find a design you like, straight from a fabric page, click the link that says "Also available in Wallpaper & Home Decor", as shown here.

Alternatively, grab the fabric design number from the URL, as shown above, and add it to this URL:
https://www.spoonflower.com/en/products/
 

 

In the above example, it would be https://www.spoonflower.com/en/products/645453 and
would look like this:

Make a Design, Have it Made

You can take it one step further without being handy still, and upload your own design, and do the same thing! Now, if you're not experienced in designing fabrics, I would strongly recommend that you proof the fabric first ($5 or less per proof, depending on how many you buy), before investing in the full set of curtains or other products.

One of the best things about buying from the Spoonflower products is that the curtains come with both rod pocket and tab hanging options (one on each end). So you get some flexibility in how your curtains will hang, and can even change it up later if you want a slightly different look.

Sew it Yourself

Whether you're picking a design someone made on Spoonflower, or designing it yourself, the rest of this post will talk about the ease of sewing fabric into curtains yourself. For this project, I used my own design "Yellow Brick Road" and bought 6 yards (56" x 216") of Cypress Cotton Canvas. (Fabric page here: https://www.spoonflower.com/designs/13210876-yellow-brick-road-by-lowa84)

For comparison of cost, two 96" panels would have cost $288 from the Spoonflower products page (using the same material - you could also save some by switching to Linen Cotton Canvas). My purchase of raw fabric set me back $204. If you are using someone else's design, it will cost a little more because that designer gets the commission - in this case, instead of paying myself commission, Spoonflower simply knocks that off the price since I was the designer.

Since I already have a sewing machine and all other supplies, I saved about $84 by making the curtains myself. If you're thinking about buying a sewing machine and all the associated supplies ONLY for this project, the savings might not be worth it. But, I also would vouch for the impressive power of inspiration that comes from a small, successful project. I'm a big believer that people enjoy things more when they make them themselves, and that seeing your handiwork empowers and inspires you to do more. If you're a first time crafter and you might want to do more in the future, I say go for it!! Making matching pillows, hand towels, table runners and all sorts of others things are just as easy (or maybe easier)!!

Alright, back to curtains again (also - don't laugh at my craft room, I haven't painted or redone it yet, so it still has awful pink paint from the previous owner's granddaughter, complete with a cringey "Live Laugh Love motif on the wall"). One last thing - I'm going to share here what I actually did, which I'll refer to as "my hack", as well as what the expert advice says. The expert advice should in theory result in a more finished look, especially on the back of the curtains. For my purposes, I have blinds behind the curtains also, and I was a little nervous with sewing such thick fabric, so I went with a less polished look in the back, which still looks great from the front.

Step 1: Cut the fabric to size

Getting started on a new project, especially if it feels a little daunting, is often the hardest part. Once you've measured your windows and decided how big you want the curtains, measure out how much you need from the fabric.

Another consideration before you start cutting is how you want to attach the curtains to the rods. If you use Clip on Rings, you just need to sew a straight panel. Loops or tabs that extend beyond the curtain panel are another approach, and you'll need to consider how to incorporate those into the top of your curtain (a great tutorial for that is here: https://www.onlinefabricstore.com/makersmill/how-to-make-tab-top-curtains/). A fairly straight-forward approach is to leave the sides of your top stich open and put the rod through the entire thing - that's a rod pocket design. For my hack, I made loops or tabs but hid them behind the top of the curtains so they aren't visible from the front.

You'll want to give yourself at least four inches on the bottom and at least two inches on the top, plus and inch or two on both sides (so make sure to double whatever you choose for the sides). Cut the fabric into the rough size panels.
When you get  fabric from Spoonflower, you'll have some white borders around the design. You'll want to trim this off.

For reference, the windows I'm covering span a total of 62" across, and 70" tall. Hanging just above them and reaching close to the ground, the 96" length was the look I opted for.

Step 2: Sew the sides of the panels

Using an iron and pins, fold each side of each panel down about an inch, and iron that seam to make it nice and crisp. The experts recommend you fold the fabric over once more and do that again, however, my hack got away with just one fold on each side.

Curtains are great sewing projects because they involve a lot of straight stiches. Once you have your sides pinned and ironed down (pin optional, but I preferred it given the bulky material and sheer length of the hem), simply sew as straight as you can along the fabric fold. Truth be told, if you're worried about  getting this absolutely straight, I'd advice not to stress to much. The finished product is so much bigger than these small lines, that it will be hard to notice minor flaws like that from afar - and most of your guests won't be examining the stitch lines along every seam - I hope.

Step 3: Make the loops / tabs and sew the top

Again, this part will vary depending on which style you want. I used some of the white border fabric, and cut 10 evenly sized strips about 5 inches long and 2 inches wide. They don't have to be perfect, in my hack.

Taking the top of the panel and folding it down a couple inches, just as you did on the sides but with a little more length, I also pinned the loops down so that the tops of the loops were just below the fold. After pinning and ironing all of that, I again just sewed a straight line across, making sure that the loops were straight as I got to them.

Step 4: Pin and sew the bottom

Since in my hack I winged it a little bit, decided to get the bottom length just right, I would hang the curtains to see just how much to fold. So I hung the curtains, selected the length and pinned them right there while they were still hanging. Then I brought them back to my craft room and ironed that fold as before, adding additional pins. While I did this for both panels, it may be most important to do this on the second one, to make sure it lines up with the first.

After ironing and sewing, the final sewing begins, once again straight across, like an old pro by now.

Step 5: Hang the final curtains gloriously and admire your work

With the tab arrangement I used, simply sliding them onto the curtain rod made them look a little frumpy, but it was an easy adjustment to get the top of the curtains to stand up right. Additionally, I adjusted and played with the pleats to make them hang right. In the end, none of the hack choices I made seemed to show or make much of a difference. The bright, bold yellow makes a real statement in the gray room, and I'm darn happy about it.

DIY Lego Artwork: Silhouette Templates for Lego Mosaics

Lego has been marketing to adults for some time now, but some of their recent additions have been vying for space on our walls as artwork. If you love Lego but aren't artistic enough to make complex pieces of artwork, with shading and fancy techniques like that, you've come to the right place! This simple technique will allow you to design big, bold graphics while still being a custom art piece you can claim is all yours! The key to this technique is that you create a template to follow before you even pick up a brick. 

 
As you may know if you've read my other How To blog posts, I use PowerPoint to do much of my designing. It's super silly in some ways, but it is because I am comfortable with the tools and it is a nearly universal software that most people have. What I'll describe here is a pretty easy process that doesn't require much artistic ability, just a lot of patience and diligence. We'll first create a basic transparent grid of one color, use a silhouette graphic for reference, and then "trace" the reference graphic by filling some of the squares a different color. 

 
 

1. To start, open up a new, blank presentation. Draw a square by using the rectangle tool and holding down Shift to ensure the height and width are equal. Make it relatively small, since you'll be making a lot of these. Mine ended up being 0.26" by 0.26". 

2. Use the Format Shape options to choose the color you want as the background color for your design.

3. Increase the Transparency of the Fill to about 32%. This is really important, so you'll be able to see the reference image later.

4. Add a Solid line that will be visible as well, this well help you see the borders of each shape, both when you're duplicating them and creating the grid, and later when you're drawing your silhouette. I used 1.75 pt Width and a fairly dark color.

5. Now, we get to the tedious copy and paste steps. A word of warning, it is worth spending the time to make sure the lines are very straight and lined up here. Copy the square and paste it. PowerPoint will put the new square slightly offset. 

6. Grab that new square and drag it next to the first one. Automatic guidelines will temporarily appear and help you ensure that it matches the alignment of the first square. When you're satisfied, release the mouse. If you're not happy with the alignment, you can click on it and move it again, or use the arrow keys on your keyboard to adjust slightly.

7. When you're happy with that alignment, copy both squares and paste, to make a 2x2 square. You'll notice the guidelines will disappear if they're not well aligned and will re-appear when they are aligned.

8. Keep copying and pasting bigger and bigger rectangles or squares until you have the desired size (you can keep track of this by making a 2x2, then 4x4, then 8x8, etc). I chose a 32 x 32 grid because that's one of the sizes for the base plates, so that would be easy to mount because it doesn't require additional plates. For reference, the Lego art pieces are 48 x 48. If you plan to purchase one of those sets in order to re-purpose the frames and pieces, then you'll want to make your grid 48 x 48 to match. Another note: when you have the top half, if it looks like you're going to exceed the size of the slide, you may want to slide the whole grid up slightly above the slide so that the bottom portion doesn't try to snap to the edge of the slide. 

 

 

 

 

 

 

 

 

 

 

9. Now, if you don't have a reference graphic you want to emulate already, use Google Images and search for the topic you're interested in and use the word "silhouette" in search if needed. Ideally, look for a simple graphic with a white or transparent background and a black or very dark graphic.

10. Copy and paste the image into a new slide and enlarge it if needed. Use the 

11. Remove Background feature if needed to remove distracting things in the background. If the silhouette is the wrong color and you can find a good graphic to use that has the right color, you can also utilize the Color and Corrections tools in PowerPoint to make white outlines black, etc.

 

 

 

12. Copy the updated graphic to the slide with your grid. Adjust the size of the reference graphic to fit in the grid but also to take up as much space as possible in the grid.
 

13. If the "shape" containing the graphic isn't extending beyond the grid, it's a good idea to use the Crop tool to actually extend the shape. This will allow you to select the graphic to delete it later.
 

14. It's also a good idea to make a copy of this finished reference graphic to a blank slide just in case.
 

15. Now, go back to the slide with the grid and the reference silhouette graphic. Right-click on the reference graphic and select "Send to Back". Since you made the fill of the squares transparent, you should see the silhouette still coming through but less clear.
 

 

 

 

16. Select just one box in the grid which is showing inside the silhouette, and change the color to whatever you want to use as your foreground. In the example, I just used white as my foreground color, but because it still has the transparency setting, it looks grey because the reference graphic is black. This is fine for now, you'll see  it more clearly later.
 

 

 

 

17. As much fun as selecting each box and changing the fill each time would be, there is a REALLY helpful tool here that's going to make this a bit faster: the Format Painter. If you've never used the Format Painter before, now's the time to learn. First, click the newly colored square (the white square in my example), then Double-Click on Format Painter. Now, every square you click will turn that color (and take on all formatting) until you either click outside of the shapes or hit Esc on your keyboard. Be sure not to hit your reference graphic (use Undo if you do).
 

18. Using this tool, you can start "coloring" the area that your silhouette shows. Don't worry if you go too far, you can always use the Format Painter to go back over squares you want to change back. Keep "coloring" until your silhouette is mostly traced / covered. If you want to see how it looks or check your technique, you hit Esc on your keyboard and delete the reference silhouette graphic - your art is taking shape! Use Undo to put it back in place.
 

19. If you do other steps before putting it back, use the copy of the graphic you made on the other slide, copy and paste it back on your main working slide and then use the "Send to Back" function again.

20. When you're happy with your "colored" pattern, delete the reference silhouette graphic and then select all of the squares and change the line to "No Line". This will give you a better view of what it will look like. Use Undo or add the solid lines back to use for a template. 

 

Voila! You now have a template for making your own custom Lego art. Time to go to the Lego Store for Pick-a-Brick or order online to get the pieces you need.
 

What are you going to create? Post pictures in the comments!

 

 

 

 

 

My finished product shown here, I added a sun behind my palm tree and used regular white bricks instead of the circles for the palm tree and frame. I needed the purple and yellow dots from two Marilyn Monroe sets and two 32x32 white baseplates to make this.

 

 

Pro-tip: Employ kids or significant others to help you out by defining so-many rows or columns that are one solid color, to lighten your load. Using my palm tree example, I had 9 columns on one side and 4 columns on the other side that were going to be all the same color, as highlighted in darker blue here. You can use painter's tape to tape over the area you don't want them to place bricks on, if needed.

 

 

 Update: I made a second one in different colors!

Here's another example of a simple custom Lego Mosaic piece I created for a giraffe with sunglasses:

I used this AI-generated graphic as the inspiration:

 

 

Here's my design from PowerPoint:

 

Here's the final art:

For more complex graphics, this website is a great, free way to generate instructions: https://lego-art-remix.com/

Note that in Step 1 under Resolution, you can input the size of your canvas.